Showing posts with label Movie reviews. Show all posts
Showing posts with label Movie reviews. Show all posts

Friday, February 11, 2011

Review: Patiala House






Patiala House


Cast: Akshay Kumar, Anushka Sharma, Rishi Kapoor, Dimple Kapadia, Hard Kaur, Prem Chopra, Rabbit Sack C, Soni Razdan, Tinu Anand, Jeneva Talwar, Masood Akhtar

Director: Nikhil Advani
Producer: Bhushan Kumar, Mukesh Talreja, Kishan Kumar, Twinkle Khanna, Zoeb Springwala
Music director: Shankar Mahadevan, Ehsaan Noorani, Loy Mendonza
Rating: **


The desire to create drama in some people is so great that they simply don’t mind compromising on simple facts. For Nikhil Advani, who has the pressure of two back-to-back flops on his shoulders, probably the drama looked more convincing. But for a more objective audience it will seem strange how someone can travel from Southall (London) to the Oval cricket ground in few minutes.


Towards the climax of the film the whole family of the protagonist travels by car from Southal to The Oval and reaches in time that is just about enough for couple of overs in a game of cricket. In real life situations that would take at least 48 minutes by train (which is the traffic-less way to travel). By car obviously it will take much longer… probably longer than an innings takes to get over in a T20 match.


This of course is not the only issue with Patiala House. The story has enough scope of drama and one does not need to try extra hard. And that’s where Nikhil Advani falters. Patiala House almost turns to Bend It Like Beckham towards the end!




The film rests on a superb story. A father says his aspiring son Gattu (Akshay) won’t play cricket for the English team. This comes after racial attacks. And like a good son Gattu gives up all dreams and settles to be a shopkeeper. He is ridiculed by everyone for being spineless. But fate has other plans. Simran (Anushka Sharma) comes back to London from India and is motivated to change things. She plays catalyst and makes Gattu get back to cricket. And as he races towards his dream, the rest of the suppressed beings feel liberated too, to do their things and not just follow what the patriarch says.




The screenplay fails to establish a lot of characters and how they are related to the house. There are too many characters overall, half of them not required. And amidst all of them, Dimple Kapadia is reduced to nothing. Certainly there was no requirement of the actress in a role which could have been played by a much lesser star. You definitely expect more when you have a Rishi Kapoor- Dimple Kapadia coming together.




There are a couple of other baffling examples. While I agree with the director’s decision to cast a younger guy as Akshay’s younger version, no explanation will enough for casting someone else as Rishi Kapoor in the flashbacks. And of course there is the forced attempt to make ex-English cricketer Naseer Hussain speak in Hindi. He should have spoken in English and we could have understood his dialogues better.







Akshay and Anushka
Nevertheless, the film has its pluses too. The performances are good. While Rishi Kapoor and Akshay Kumar are at the regular best, Anushka Sharma is a delight every time she is on screen. Dimple is for most of the film and yet does a lot with her body language. The ensemble cast does well too.


While the first half is a drag, the second half picks up pretty well. There is a good build up and the matches add to some excitement. The production values of the film score very high. Nikhil Advani has never scored low on this be it any of his films. The music is good, but the best song comes at the end! The dialogues too are good.


Overall though Patiala House could have been a much better film. This one is too long, fails to impress and cricket alone won’t be saving it. 









Friday, October 8, 2010

Review: Crook




Crook - It's good to be bad  
The most important fact about Crook is that it deals with Racism. But it is false that the movie points at the racist nature of Australians. Rather it pokes a finger into the Indian mindset of being superior culturally and hence turning racists themselves.



Review: Lava Kusa




Lava Kusa


If you are grieving the lack of Indian animation content meant for adult audiences your plight is going to continue for some more time. Lava Kusa: The Warrior Twins is definitely not your respite. Having said that, if you have a kid you want to take out for a movie this would prove to be a decent film. 





Review: Do Dooni Chaar

Originally for nowrunning.com








Do Dooni Chaar


Looks like the family audience is finally getting its due in terms of big screen entertainment. Last week we had Khichdi and this week there is the delightful Do Dooni Chaar. Of course the two are nowhere similar to each other. While Khichdi was the dose of laughter with hilarious characters, DDC is more of a slice of life entertainer about absolutely real life situations. And along the way it brings out some beautiful messages and family values.


Read rest at - www.nowrunning.com



Friday, October 1, 2010

Review: Robot [Hindi dubbed version of ENTHIRAN]

Originally for NOWRUNNING.com


Cast: Rajnikanth, Aishwarya Rai Bachchan, Danny Denzongpa
Director: Shankar
Producer: Kalanithi Maran
Music: AR Rahman
Rating: ***1/2







Robot
Rajnikanth is back. And what a bang he makes! At 61, the much worshiped Indian star does the unthinkable. If you thought only Sylvester Stallone could do an action film at 60 plus, you got to watch Robot. The film is yet another show-reel for the star who so effectively went on to become one of the biggest India stars internationally. But more importantly it is a show-reel for director Shankar and an example for other Indian directors to emulate.



Review: Anjaana Anjaani

Originally for nowrunning.com 
By Noyon Jyoti Parasara
Cast: Ranbir Kapoor, Priyanka Chopra
Director: Siddharth Anand
Producer: Sajid Nadiadwala
Music: Vishal Shekhar
Rating: **1/2





Anjaana Anjaani
There has been much talk about Anjaana Anjaani being a copy of The Girl On The Bridge. However after watching the film I can vouch that it’s not true. Anjaana Anjaana is not a copy of any particular film. Rather it is a mish-mash of ideas that may have been borrowed from various movies. Hence though the story is not something we have seen in Hindi cinema before, neither does it seem completely fresh. At various moments through the film you will feel you have seen it before.



Review: Benny and Babloo



Cast: Kay Kay Menon, Rajpal Yadav, Rukhsar, Anita Hasnandani (Natassha), Riya Sen, Shweta Tiwari, Hitan Paintal, Kiran Janjani, Richa Chadda,
Director: Yunus Sajawal
Producer: Umesh Chouhan
Rating: **





Benny and Babloo
There are actors who get their due and there are non-actors who get more than what they are due. And there are also actors who keep struggling to get their due. We have quite a list of such actors in Bollywood. And Kay Kay Menon easily fits into this list. The actor who has given memorable performances in films like Shaurya, Gulaal and even Honeymoon Travels Pvt Ltd rarely gets a film which gives him scope. And yet he continues to do mediocre films, providing them a silver lining.





read more at nowrunning.com



Review: Khichdi

Originally for NOWRUNNING.COM


Cast: Supriya Pathak, Anang Desai, Rajeev Mehta, Girish Sachdev, Nimisha Vakharia, Kesar Majethia, Markand Soni, Kirti Kulhari, JD Majethia,
Director: Aatish Kapadia
Producer: JD Majethia
Rating: ***





KHICHDI - the film
There have been so many instances when Indian television has copied content from the big screen and used it, in the regular elongated and extended forms. But turning a movie out a show concept is surely new. There was news of Anand Mahendroo doing it with Dekh Bhai Dekh, but JD Majethia has clearly beaten him by miles… and in style!



Tuesday, August 31, 2010

Review: Soch Lo

Originally for AOLbollywood





Cast: Sartaj Singh Pannu, Iris Maity, Barkha Madan, Nishan Nanaiah
Writer and Director: Sartaj Singh Pannu
Music: Charu Moohan and Nitish Pires
Rating: **1/2





A love story
An injured man wakes up in middle of a desert, wriggles to the nearest stretch of road. He finds some water to rejuvenate himself. When he gains enough consciousness he figures out he can’t remember who he is and where he belongs. And neither can he recollect how he ended up in this desert. This sets the premises for an interesting thriller. And that’s how Soch Lo starts.


Soch Lo has a completely new cast and crew and has been made at shoe-string budget by Sartaj Singh Pannu. Most of the crew are new inexperienced film school alumni who have come together to make this film helmed by Sartaj, who put in his own money to make the film after he could not find any producer to do so. Promising start to both the venture and the story of the film!


Getting into the details, Soch Lo is an interestingly made project. The film has a story to it. It is story of a man (Sartaj) who can’t recollect his past. He finds someone who promises to help him once he helps the person’s family. Some action and scenes later this unknown man, now named Baba by his new found friends sets out to find out what happened to him. And he goes on unveiling things bit by bit. He realizes he was on his honeymoon with Reva (Iris) and he was attacked. On his journey he is accompanied by Pali (Barkha Madan) and they find a special bond between them.





Sartaj does a one man show
The film’s screenplay is written in a way that it requires the audience to apply their brains. Things are left unanswered but well placed clues for the audience to figure out the development chart. This should come as a pleasant surprise to the audience who has always cribbed about directors trying to spoon-feed the story. However despite this the film is quite slow, which is the single biggest drawback in the film. Also the dialogues are weak and should have been worked on.


Soch Lo has layers to it. The characters are well made and there are statements made on the middles class and the male mentality. The ending is quite tricky. Though the characters work out, the message does not exactly come out straight leaving too many questions. What’s remarkable is the way the writer brings out that there are no negative characters but only circumstances.


The film is shot extremely well. The outdoors and desert scenes especially are remarkably good looking. And the music is just right for the tone of the film.


Performances are stable though not extra-ordinary. Sartaj does well and so does Barkha Madan. Iris Maity plays the feeble wife. 


Overall, Soch Lo could have been faster and shorter. But it deserves acknowledgement for the effort that has gone behind making it.